Caravaggio is one of my favorite painters, so I knew I wanted the subject to glow against a kind of shroud of inky blackness. Hair, eyes, little pieces of textured clothing–these were the things I wanted to highlight. They needed to come out of black nothingness.
But funny enough my fave photo from the evening was not one I was planning.
A few weeks ago I saw several photos of a model simply warped in material an light with only one key light. The simplicity of it really appealed to my so I decided to do something similar. Alica and I had planed to shoot together last year but due to complications it unfortunately never happened, so I took this opportunity to catch up.
Last Monday nights shoot idea was based around using one key light in the same position. I didn’t want to change the position, power output or the aperture of my camera, simply change the light-modifiers to have a 100% comparison between Soft-Box VS Beauty-Dish.
Continue reading Soft-Box VS Beauty-Dish «Soft-Box VS Beauty-Dish»
Last month Tom started to get the lightGIANTS friday night shoots back into motion. Local band “Palm Valley” needed new photos after recently changeing their line up, so it was perfect timing.
Yousuf or Josuf (his given Armenian name was Hovsep) Karsh was born in Mardin, a city in the eastern Ottoman Empire (present Turkey). He grew up during the Armenian Genocide where he wrote, “I saw relatives massacred; my sister died of starvation as we were driven from village to village.” At the age of 16, his parents sent Yousuf to live with his uncle George Nakash, a photographer in Sherbrooke, Quebec, Canada. Karsh briefly attended school there and assisted in his uncle’s studio. Nakash saw great potential in his nephew and in 1928 arranged for Karsh to apprentice with portrait photographer John Garo in Boston, Massachusetts, United States. His brother, Malak Karsh, was also a photographer famous for the image of logs floating down the river on the Canadian one dollar bill.
I have been having a lot of fun with my 2013 project, unfortunately I’m going away for the next few weeks so I wont have the chance to shoot in the studio. But this week I was shooting with Rockabella Kat as model and Snow White as guest photographer.
Kat did a fantastic job modelling for the first time she quickly adapted to the new situation and put in a lot of effort.
This week I continued my Monday night studio project with Vincent as model and Stephanie as guest photographer. A few months ago Vincent suggested a shoot based on Picture of Dorian Gray by Oscar Wilde. I jumped at the chance to do this shoot as the concept fitted will to a few ideas I have had floating around in the back of my head for a while now. It also bought back memories of when I read the book during a backpacking trip from Sydney to Perth way back in the mid 90’s. The concept behind this shoot was then to portray a journey of self destruction through light and lens choice, I also wanted to keep the lighting at around constant f8 (we actually shoot between f7.1 and 9) so that there was a continuation look and feel through out the night.
Continue reading Picture of Dorian Gray «Picture of Dorian Gray»
I’m back, last week we were away and i didn’t get the blog finished in time so here are the photos from last Monday night shoot. Mr. JK joined me with 2 creatures of the night to shoot more low key based portraits.
